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VOTE THIS DJ MIX !
Submitted Apr 5 2010, 04:40 PM
64:09 / mp3 / 44.1Khz / 128Kbps / 58.73mb
Deep House Party
4.9k 
31 
1450 
159 
77 50752
64:09 / mp3 / 44.1Khz / 128Kbps / 58.73mb
Deep House Party
4.9k 31 1450 159 77 50752
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Groov In Love #14
| 1. | 00:00 | Don Freeman Rx Markus Enochson Fracture in my soul | Raw Fusion Scandinavia |  LOCATE TRACK
  
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| 2. | 06:00 | Moba Sound Rx Franco Martinelli All i need is love | Open Bar Music | LOCATE TRACK
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| 3. | 10:30 | Benji Candelario & Vincent Kwok Present Leedia Quiero saber | Transitori Music | LOCATE TRACK
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| 4. | 13:45 | Andy Caldwell Don't you love me | Discogalaxy Records | LOCATE TRACK
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| 5. | 19:30 | The Jinks Ft Radhika Lullaby | Jinks Inc | LOCATE TRACK
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| 6. | 21:45 | Dj MFR New Mondo Latin Mix Latin seduction | Transport | LOCATE TRACK
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| 7. | 27:15 | Dj Kosmas K Rx DJkosmas K whenever | Ionian Music Records | LOCATE TRACK
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| 8. | 31:45 | Ross Couch Coast to coast | Body Rhythm Records | LOCATE TRACK
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| 9. | 36:00 | Black Liquid ft. Nea Posey Ospina & Oscar P Rx Gotta b.me | Ospina Digital | LOCATE TRACK
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| 10. | 40:30 | Illusive Make a difference | Soul Life Recordings | LOCATE TRACK
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| 11. | 43:45 | Ben Jam Rx Vincent Kwok The evidance | Eight Fifteen Digital | LOCATE TRACK
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| 12. | 47:30 | Groove delivers & H&H ft.Kaysee Summer love | Coffee Bar Music | LOCATE TRACK
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| 13. | 52:40 | Groovjuice I Know | Solar Sounds | LOCATE TRACK
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| 14. | 55:45 | Paul Cutie&Del Gado Ft. Lory Maiuri Why Don't You Look Around | LoudBit Records | LOCATE TRACK
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| 15. | 59:15 | Vincent Knok Return to flight | Ospina Digital Records | LOCATE TRACK
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Keywords, shouts and tags.
Thank you very much to everyone who supported me for Groov In Love #13I let you discover the Groov In Love #14
More Medias by Annie Mac Bright
Comment this dj mix !
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27
Apr
2010
Really enjoyed this mix... and if I'm right all done with vinyl (?) great selection of tracks and the mixing was top draw. All I could think about when listening to this was SUMMER!!......this the first mix of yours I have listened to and in the words of Schwarzenegger.......I'll be back!!
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Apr
2010
Annie, you know that I am biased, I am a big fan since Groov In Love #13 (will have to go back and listen to the older ones too). Again, this #14 shows how similar our taste is in music, I would have picked almost all of these tracks myself. In fact, I will probably jump on Beatport now and buy most of these (too bad that you already used them in your set - I won't be able to include them now in my Mix.DJ releases just out of professional respect :-) - unless I find some other remixes or versions)
I have a feeling that you were experimenting and trying out new things here. You start off with the perfect RnB sound that is so unique to your Groov in Love sets - but then you have Track3 with heavy latin influence. An awesome track that I would have definitely picked for my "Brazilian Funk Affair" set. It is still very soulful so it fits in nicely.
Andy Caldwell is Andy Caldwell, won't even mention it, it is always a gem to hear and everyone's favourite. You bring some more latin sound with Track 6 while you take it deeper, darker and harder throughout Tracks 5,6 and 7.
It is an interesting mood change, definitely moving away from the soulful sound - still pretty smooth and soft but in a different dimension. Track 6 is the only one where I felt it went a bit overboard for me, it does sound like a trance track or at least progressive house (we already had this discussion you remember). But then Track 7 brings it back, reminds me of the Gabriele Poso track I used in "Brazilian Funk Affair" for the exact same mood change to get it darker from a happy soulful mood.
Now I don't think it breaches the consistency of the mix (which both of us are so careful about). There are different concepts to make a mix, many parameters and dimensions. Whilst Groov In Love #13 was rock solid and consistent all the way through by using all great, positive RnB and soulful deep house vocal songs - this #14 here is more of a journey for me that starts shiny, goes a bit mellow and then dark, a tad electro - and then comes back! Throughout 8 to 11 it is a nice bridge to slowly come out from the harder sounding grooves to a more mellow, chilled out mood that then turns into cheerful happy RnB again. Even Nu Disco which is "Why Don't You Look Around" at Track 14, taking it to the very top (the synths remind me of a disco classic, Status IV's "You Ain't Really Down" and also a bit of Evelyn "Champagne" King). I could say that the guitar solo here at the end is a bit too much, it's almost a dance track now. But then again I also had a heavy funk guitar solo in "Late Nite Vibes One" with King Kooba and a pure dance track with Kloud 9 and Incognito. We all have our right reasons to use these tracks, and I can see how you justify it. I does fit into the arch and flow of the set to provide a contrast.
Track 15 nicely cools it down and closes the mix. Nice tough that it has the vocal reverbed and lingering at the end.
Mixing technique
You know that your track selection by itself amazes me, on top of that you have a very smooth and professional mixing technique. Now, I just learned that this was mixed live with CDJ1000s, no editing or software here. Well, even if you practiced it is an unbelievable performance to mix live with this precision and flow. Considering that you have only been doing this since 2008 it is a miracle, that makes you a rare talent.
I do mean this seriusly, I know professional club DJs who have been playing for over a decade and still cannot mix like you do. All hats off, keep up the good work!
I have a feeling that you were experimenting and trying out new things here. You start off with the perfect RnB sound that is so unique to your Groov in Love sets - but then you have Track3 with heavy latin influence. An awesome track that I would have definitely picked for my "Brazilian Funk Affair" set. It is still very soulful so it fits in nicely.
Andy Caldwell is Andy Caldwell, won't even mention it, it is always a gem to hear and everyone's favourite. You bring some more latin sound with Track 6 while you take it deeper, darker and harder throughout Tracks 5,6 and 7.
It is an interesting mood change, definitely moving away from the soulful sound - still pretty smooth and soft but in a different dimension. Track 6 is the only one where I felt it went a bit overboard for me, it does sound like a trance track or at least progressive house (we already had this discussion you remember). But then Track 7 brings it back, reminds me of the Gabriele Poso track I used in "Brazilian Funk Affair" for the exact same mood change to get it darker from a happy soulful mood.
Now I don't think it breaches the consistency of the mix (which both of us are so careful about). There are different concepts to make a mix, many parameters and dimensions. Whilst Groov In Love #13 was rock solid and consistent all the way through by using all great, positive RnB and soulful deep house vocal songs - this #14 here is more of a journey for me that starts shiny, goes a bit mellow and then dark, a tad electro - and then comes back! Throughout 8 to 11 it is a nice bridge to slowly come out from the harder sounding grooves to a more mellow, chilled out mood that then turns into cheerful happy RnB again. Even Nu Disco which is "Why Don't You Look Around" at Track 14, taking it to the very top (the synths remind me of a disco classic, Status IV's "You Ain't Really Down" and also a bit of Evelyn "Champagne" King). I could say that the guitar solo here at the end is a bit too much, it's almost a dance track now. But then again I also had a heavy funk guitar solo in "Late Nite Vibes One" with King Kooba and a pure dance track with Kloud 9 and Incognito. We all have our right reasons to use these tracks, and I can see how you justify it. I does fit into the arch and flow of the set to provide a contrast.
Track 15 nicely cools it down and closes the mix. Nice tough that it has the vocal reverbed and lingering at the end.
Mixing technique
You know that your track selection by itself amazes me, on top of that you have a very smooth and professional mixing technique. Now, I just learned that this was mixed live with CDJ1000s, no editing or software here. Well, even if you practiced it is an unbelievable performance to mix live with this precision and flow. Considering that you have only been doing this since 2008 it is a miracle, that makes you a rare talent.
I do mean this seriusly, I know professional club DJs who have been playing for over a decade and still cannot mix like you do. All hats off, keep up the good work!
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Apr
2010
encore du bon travail 
ben moi je vote pas la style 
mais ton super boulot 
pourla peine un BIG 50 ET UN SPECIAL BRAVO VIVA 
BIZ KOKO
ben moi je vote pas la style mais ton super boulot pourla peine un BIG 50 ET UN SPECIAL BRAVO VIVA BIZ KOKO
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